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"There's just one spotlight on the suspect, and it never looks good." Lighting from below is similarly unflattering.

"When someone tells a horror story and they put a flashlight under their chin, it makes the person's face look scary." For after-hours calls, even a basic table lamp can cast a camera-friendly halo.

For my micro premiere, I avoid cheek stain (I don't like the way it looks on me IRL) and highlighter, which can read as oil, and focus on creating contrast between my eyes, lips, and skin.

When we smile, for example, blood becomes more visible in our cheeks, regardless of skin tone, so it's no surprise that blush helps to fake "happy! I'm not concerned with looking happy, though—I'm aiming for hot.I prop my laptop two feet away on an eye-level stack of magazines on my coffee table.Makeup guru and avid video caller Mally Roncal (she suggested a Face Time interview for this article) tells me I need to find my best angle by taking test shots.Unfortunately, as Phan notes, the camera washes out bright colors—such as those worn on lips and eyes—by some 20 percent, thus minimizing the contrast between eyes, lips, and skin and making makeup a must."That's why when you see celebrities on the red carpet, their eye makeup looks superheavy in real life, but in photographs they look perfect," Phan says.

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